My fascination for typewriters––their intimacy, and the famous writers who have used them in unwavering loyalty––continues to grow. To type a poem or manuscript requires a slower pace with a typewriter. It also enhances better thinking––stimulating the brain to be mindful of what matters, resulting in fewer mistakes.
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Steve Leveen, founder of
Levenger (purveyor of fine reading and writing tools), reproduced in bookend form, the typewriter of historian, David McCullough. For today's post, I've excerpted a portion of what Steve Leveen and Levenger Press Editor,
Mim Harrison shared on Steve's blog
Well-Read Life on December 3, 2009. It speaks for itself.
“I don’t want to go faster,” writes David McCullough. “If anything, I probably ought to go more slowly.”
The two-time Pulitzer Prize-winning author (Truman, John Adams) and recipient of a lifetime achievement award from the National Book Foundation may be talking about the way he types, but David McCullough is revealing how he thinks.
“When rewriting, I’m not just typing it all over again, I’m thinking through it again, rethinking, rewording where need be, saying it a little differently on second thought.”
And David McCullough is not typing on a computer. He’s using the pre-digital dinosaur that requires a considerable force of those digits called fingers: the typewriter. Not even a zippy electric version, but a 1940s vintage Royal manual typewriter that he bought second-hand in the 1960s.
So if you want to know how it is that David McCullough’s books always hit the New York Times bestseller lists, capture Pulitzers, and have never gone out of print, it just may be this old machine.
The mind of the machine
When Mr. McCullough graciously agreed to let us reproduce his typewriter as a bookend, we thought the story would be about the machine. But the real story is how an accomplished mind works—not at the speed of a computer, but at a pace that’s thoughtful, deliberate, contemplative. The machine helps set the pace.
And so you have to wonder: What would happen if we all slowed our thinking down a bit, if we dialed it back to the point where we were actually thinking rather than scrolling and texting, and cutting and pasting? Would we all trade in our laptops/notebooks/smart phones for a typewriter?
Probably not. But it would do us good to remember that machines are supposed to make our lives better, not faster. Perhaps we should unplug just a little before we become undone. Such decompression is why we think so many Levenger customers savor the pensive pause of the fountain pen (which David McCullough also uses).
In fact, Thomas Mallon, who just wrote a book on the letters famous people have written through the centuries, maintains that pens and typewriters have more in common than do typewriters and computers. Typewriting reveals its own quirks of the writer, much like penwriting. Computers can make us all look the same.
Here’s how David McCullough looks on his typewriter; he takes the typed sheets and edits them by hand:
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Another writer, Carl Honore, realized the value of slow when he found himself contemplating 60-second bedtime stories to read to his toddler. He caught himself in time. “The secret is balance: instead of doing everything faster, do everything at the right speed,” he advises.
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For David McCullough, that means typing “at a pretty good clip,” as he says. And then typing it again, because what he’s really doing is thinking about it some more.
He and his typewriter are, in fact, currently at work on his new book about Americans in Paris. What do you want to bet that as soon as it’s published, that slowly written book will hit the New York Times bestseller list in no time flat.
I hope I've continued to pique your interest on typewriters with this second in a series (see Writers and Their Typewriters #1).
Do you have a typewriter? If not a typewriter, what do you do or use to achieve a slower pace for better thinking? And last, did you know you can blog with a typewriter? The technique is called "typecasting," but more on that later.